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Vadym Heorhiiovych Meller (; 26 April 1884 – 4 May 1962) was a Ukrainian and Soviet painter, , Constructivist and artist, theatrical designer, book illustrator, and architect. In 1925 he was awarded a gold medal for the scenic design of the in the International Exhibition of Modern Decorative and Industrial Arts ( ) in . Vadym Meller,Theatrical and Decorative Art, Painting, Graphics. Exhibition Catalogue, p.53 ed. Z. V.Kucherenko, publisher Union of Artists of Ukraine, Kyiv, Ukraine, 1984 April in Paris: Theatricality, Modernism and Politics at the 1925 at the Art Deco Expo, by Irena R. Makaryk p.57, University of Toronto Press, 2018,


Biography
He was born in . He was the second son of a top official in the Ministry of Justice in the . His father, Heorhiy Meller, was a noble-born Swede; his mother, Helena Caruso, was half Italian and half , and also from a noble family Avant-garde Adventures. Vadym Meller.Nina Genke-Meller.Nina Vetrova-Robinson. Vadym Meller's Expressive Constructivism. Olha Petrova.p.6.Exhibition Catalogue.,2004, Kyiv, National Art Museum of Ukraine (NAMU).22 October-28 November 2004. Kyiv.Ukraine. He married Nina Genke, a fellow avant-garde artist. He died in in May 4, 1962.


Education
From 1903–1908, Meller studied at Kyiv University. In 1905, he visited , , where he took art lessons at the private school of . In 1908, with the recommendation of Roubaud, he continued his education at the private art school of drawing and painting of in , . Avant-garde Adventures. Vadym Meller. Nina Genke-Meller. Nina Vetrova-Robinson. Vadym Meller's Expressive Constructivism. Olha Petrova.p.6.Exhibition Catalogue. National Art Museum of Ukraine (NAMU).22 October-28 November 2004. Kyiv. Ukraine. There, Meller met fellow student, , who introduced him to Der Blaue Reiter group. Avant-Garde Art in Ukraine 1910-1930 Contested Memory, Vadym Meller and Sources of Inspiration in Theater Artp.117, Myroslav Shkandrij, Boston, 2019.

After graduating from the Kyiv University with a degree in law, he acquired an artistic education in the Academy of Fine Arts from 1908–1912. V. Meller stayed in close contact with Der Blaue Reiter group. During this time, he also met Wassily Kandinsky, with whom he became friends. Avant-Garde Art in Ukraine 1910-1930, ,Contested Memory, Vadym Meller and Sources of Inspiration in Theater Artp.117, Myroslav Shkandrij, Boston, 2019.


Work
He started to exhibit his works after moving to , where he joined the Société des Artistes Indépendants. Vadym Meller:Missionary of Avant-Garde Scenic Design, Tetiana Rudenko, p 50, "Staging the Ukrainian Avant-Garde of the 1910s and 1920s", Ukrainian Museum, New York, US, 2015 At the same time he was a student of Antoine Bourdelle. The World Encyclopedia of Contemporary Theater , volume 1, Europe, p.872, editor Don Rubin ,Routledge London and New York, 1994 In 1912–1914, together with , , Alexander Archipenko, and Aleksandra Ekster, he participated in a number of exhibitions (Salon des Indépendants, Spring Salon, and Salon D' Automne) alongside , , and André Derain. Staging the Ukrainian Avant-Garde of the 1910s and 1920s. Vadym Meller: Missionary of Avant-Garde Scenic Design, p.50 Tetiana Rudenko, Project Curators: Myroslava M.Mudrak and Tetiana Rudenko, Exhibition Production: Maria Shust,The Ukrainian Museum of New York in cooperation with the Museum of Theater, Music and Cinema Arts of Ukraine in Kyiv, Published by Ukrainian Museum, New York, NY 10003, 2015.Library of Congress Control Number 2014433050 Vadym Meller.Theatrical and Decorative Art, Painting, Graphics. Exhibition Catalogue, p.53 ed. Z. V.Kucherenko, publisher Union of Artists of Ukraine, Kyiv, Ukraine, 1984

After returning to Kyiv in 1915, he worked at and painting, , and . His transition to as his main field of artistic activity took place in the post-revolutionary years. From 1918–1921, he worked with and dancer Bronislava Nijinska ('s sister) in her studio. Staging the Ukrainian Avant-Garde of the 1910s and 1920s. Vadym Meller: Missionary of Avant-Garde Scenic Design, p.52, Tetiana Rudenko, Project Curators: Myroslava M. Mudrak and Tetiana Rudenko, Exhibition Production :Maria Shust ,The Ukrainian Museum of New York in cooperation with the Museum of Theater, Music and Cinema Arts of Ukraine in Kyiv, Published by Ukrainian Museum, New York, NY 10003, 2015.Library of Congress Control Number 2014433050 In end of this period he became a professor in the National Academy of Fine Arts and Architecture. Avant-garde Adventures. Vadym Meller.Nina Genke-Meller.Nina Vetrova-Robinson. Vadym Meller's Expressive Constructivim. Olha Petrova.p.10.Exhibition Catalogue. National Art Museum of Ukraine (NAMU).22 October-28 November 2004. Kyiv.Ukraine. Staging the Ukrainian Avant-Garde of the 1910s and 1920s. Vadym Meller: Missionary of Avant-Garde Scenic Design, p.54, Tetiana Rudenko, Project Curators: Myroslava M. Mudrak and Tetiana Rudenko, Exhibition Production :Maria Shust ,The Ukrainian Museum of New York in cooperation with the Museum of Theater, Music and Cinema Arts of Ukraine in Kyiv, Published by Ukrainian Museum, New York, NY 10003, 2015.Library of Congress Control Number 2014433050

In 1922, invited V. Meller to the recently founded . Vadym Meller.Theatrical and Decorative Art, Painting, Graphics. Exhibition Catalogue, p.53 ed. Z. V.Kucherenko, publisher Union of Artists of Ukraine, Kyiv, Ukraine, 1984

In 1925, V. Meller, together with Sonia Terk, Alexandra Exter, and , participated in Exposition Internationale des Modernes ( Art Deco) in .There, Meller was awarded a gold medal for his of the Berezil' theater. The World Encyclopedia of Contemporary Theater , Volume 1, Europe, p.872, Editor Don Rubin, Routledge London and New York,1994 Vadym Meller.Theatrical and Decorative Art, Painting, Graphics. Exhibition Catalogue, p.53 ed. Z. V.Kucherenko, publisher Union of Artists of Ukraine, Kyiv, Ukraine, 1984 That same year, V.Meller participated in the International Theater Exposition in New York. Modernism in Kyiv: Jubilant Experimentation, p.497 edited by Irena R. Makaryk., Virlana Tkacz., University of Toronto Press, 2010.

V. Meller became the leader of the Constructivism movement in Ukrainian . Staging the Ukrainian Avant-Garde of the 1910s and 1920s. Vadym Meller: Missionary of Avant-Garde Scenic Design, p.58, Tetiana Rudenko, Project Curators: Myroslava M. Mudrak and Tetiana Rudenko, Exhibition Production :Maria Shust ,The Ukrainian Museum of New York in cooperation with the Museum of Theater, Music and Cinema Arts of Ukraine in Kyiv, Published by Ukrainian Museum, New York, NY 10003, 2015.Library of Congress Control Number 2014433050 He worked in the National theater as a chief artist until 1945. From 1925 onward, he also taught at the Kyiv Art Institute (KKHI) together with and Alexander Bogomazov. Also in 1925, V. Meller became a member of the artists union Association of the Revolutionary Masters of Ukraine together with (co-founder), Alexander Bogomazov (co-founder), , , and Alexander Khvostenko-Khvostov.

In 1928 he participated in the International Press Exhibition Pressa , together with , Aleksandr Tyshler and . Vadym Meller.Theatrical and Decorative Art, Painting, Graphics. Exhibition Catalogue, p.53 ed. Z. V.Kucherenko, publisher Union of Artists of Ukraine, Kyiv, Ukraine, 1984

V.Meller worked as an acting director of the Monumental Painting and Sculpture Institute of the Academy of Architecture of the Ukrainian SSR (1946–1948), a chief artist of the Kyiv Music Comedy Theater (1948–1953), and a chief artist of the Iv. Franko Kyiv Academic Theater (1953–1959). Vadym Meller,Theatrical and Decorative Art, Painting, Graphics. Exhibition Catalogue, p.54,ed. Z. V.Kucherenko, publisher Union of Artists of Ukraine, Kyiv, Ukraine, 1984

  • Vadym Meller's Expressive Constructivism, Olga Petrova, pp. 5–32, Catalog, an Exhibition Avant-Garde Adventures, National Art Museum of Ukraine (NAMU), Kyiv, Ukraine,2004.
  • Vadym Meller:Missionary of Avant-Garde Scenic Design, Tetiana Rudenko, pp 46–68, book "Staging the Ukrainian Avant-Garde of the 1910s and 1920s", Ukrainian Museum, New York, US, 2015.
  • Vadim Meller, Zoya Kucherenko, Mistetstvo, Kyiv, 1975.
  • Kyiv to Paris: Ukrainian Art in the European Avant-Garde, 1905-1930, publication By Prof. Myroslav Shkandrij, Department of German and Slavic Studies University of Manitoba, Winnipeg, Canada, Zorya Fine Art, 2003.
  • Modernism in Kyiv: Jubilant Experimentation, pp 3,5,11,219,229,257,264,299,415,426,430,492,497,501, etc. edited by Irena R. Makaryk., Virlana Tkacz., University of Toronto Press, 2010 .
  • The World Encyclopedia of Contemporary Theatre. Europe, pp. 872–4,883,885, volume 1, Editor Don Rubin, Routledge, Inc., New York, US, 1994.
  • Avant-Garde Art in Ukraine, 1910-1930 , contested memory, Vadym Meller and Sources of Inspiration in Theater, Myroslav Shkandrij, Boston, Academic Studies Press, 2019 .


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